Humanities & Liberal Arts

HULA-ETTLE Code Book

Children Are Citizens Book 2017

Slow Looking: The Art and Practice of Learning Through Observation

Slow Looking provides a robust argument for the importance of slow looking in learning environments both general and specialized, formal and informal, and its connection to major concepts in teaching, learning, and knowledge. A museum-originated practice increasingly seen as holding wide educational benefits, slow looking contends that patient, immersive attention to content can produce active cognitive opportunities for meaning-making and critical thinking that may not be possible though high-speed means of information delivery. Addressing the multi-disciplinary applications of this purposeful behavioral practice, this book draws examples from the visual arts, literature, science, and everyday life, using original, real-world scenarios to illustrate the complexities and rewards of slow looking. ISBN-13: 978-1138240407

Ethical Dilemmas and Value-Based Decisions

Interdisciplinary Learning: A Cognitive-Epistemological Foundation

Preparing individuals to lead informed and fulfilling lives in dynamic knowledge societies requires that we nurture synthesizing minds. We must nurture individuals’ capacity to to knit together knowledge from vast and disparate sources into coherent wholes in order to address pressing issues of cultural and natural survival (Gardner 2006).  Synthesis is a fundamental human capacity. It manifests early in life, when children engage in symbolic play, create artistic compositions, or learn the rules of a new game. To a certain extent, we learn to synthesize rather effortlessly by participating in societies where analogies, rich visual representations, and simple systems are ubiquitous. Interdisciplinary synthesis, however, presents heightened cognitive demands and requires deliberate instruction. It implies the integration of knowledge and modes of thinking in two or more disciplines in search for better understanding. Understanding how individuals learn to integrate different forms of expertise to create a work of art, explain a multifaceted phenomenon, fashion a new technology or propose a sustainable environmental solution is essential if we are to cultivate this capacity among collegiate and pre-collegiate youth. What cognitive processes are central to interdisciplinary integration?  What kind of “knowing” is embodied in a historical monument, an explanation overfishing or a sustainable development policy?  On what basis can we discern the relative success of such form of integrative cognition? Ultimately, how can we design instruction to nurture potent forms of interdisciplinary integration?

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